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Sam Amidon's 7" vinyl record Fatal Flower Garden EP (A Tribute to Harry Smith) is out now on Nonesuch. On the EP, Amidon performs four songs from Anthology of American Folk Music, Smith’s beloved and influential 1920s and ’30s folk music recordings. Amidon and frequent collaborator Shahzad Ismaily play all the instruments; Leo Abrahams engineered, produced, and mixed. Amidon concludes a UK tour in the week ahead, then tours the US Northeast.
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
“‘Dawning’ has multiple meanings for me,” composer/guitarist Yasmin Williams says of her first song on Nonesuch, out today, which features Aoife O’Donovan on vocals, Kafari on rhythm bones, and Nic Gareiss’ percussive dancing and provides an early peek at her new album, which the label will release in early 2024: “the dawning of my professional music career and a new love in my personal life, the dawning sky that appeared when I first started writing this song, and me smiling to myself with dawning recognition that I get to create music that I love for a living and share it with the world. This song represents a major shift in how I approach my music and expands the possibilities of what my songs can be.”
Vagabon, aka Lætitia Tamko, has released her new album, Sorry I Haven’t Called, out now. On the album, Tamko reinvents herself once again with the most playful and adventurous music of her career. Co-produced by Tamko and Rostam (Vampire Weekend, Haim), the album features twelve vibrant tracks she wrote and produced primarily in Germany that channel dance music and effervescent pop through her own confident sensibilities. “This record feels like what I've been working towards,” Tamko says. “It's completely euphoric.”
