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Sam Amidon's 7" vinyl record Fatal Flower Garden EP (A Tribute to Harry Smith) is out now on Nonesuch. On the EP, Amidon performs four songs from Anthology of American Folk Music, Smith’s beloved and influential 1920s and ’30s folk music recordings. Amidon and frequent collaborator Shahzad Ismaily play all the instruments; Leo Abrahams engineered, produced, and mixed. Amidon concludes a UK tour in the week ahead, then tours the US Northeast.
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
X
By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Amidon first publicly performed the songs on this EP—all of which were on Smith’s beloved and influential Anthology of American Folk Music—for a concert commissioned by Ancienne Belgique in Brussels, Belgium, as part of its large-scale Anthology tribute. Fatal Flower Garden was recorded over two days in East London with Amidon and frequent collaborator Shahzad Ismaily playing all the instruments; Leo Abrahams engineered, produced, and mixed.
Amidon concludes a UK tour with shows in Basingstoke, Bristol, and Frome, in the week ahead, then comes to the United States to tour the Northeast. For details and tickets, see below and visit nonesuch.com/on-tour.
Amidon says: “Fatal Flower Garden is my tribute to the elusive spirit of Harry Smith and to his wondrous Anthology of American Folk Music. Harry Smith believed in the secret connections and mysteries that existed in culture ... whether it was the feeling of Thelonious Monk’s rhythmic phrasing; the patterns in string games and Ukrainian egg painting designs; the wild fiddle tunes; or the epic folk ballads. He understood American Folk Music to be a wildly heterogeneous category that included multiple cultural, racial, and linguistic elements.”
He continues, “I love listening through the Anthology for its window in to 1920s musical practices in all their varied glory, but also for the silent consciousness of Harry Smith behind the whole thing. You can picture him listening to the recordings, expounding his theories about the connections between them, and digging all of it.”
Fatal Flower Garden is Amidon’s fourth recording on Nonesuch and follows 2017’s The Following Mountain. He also was one of four singer/songwriter’s featured on Kronos Quartet’s 2017 Folk Songs for the label.
DAVÓNE TINES & THE TRUTH’s new work ROBESON, which premiered last month at NYC’s Little Island, is due September 13 on Nonesuch. In ROBESON, Tines’ solo recording debut, the musician grapples with the legacy of a hero. Exploding the musical repertoire of Paul Robeson, Tines and his band the Truth—pianist John Bitoy and sound artist Khari Lucas—take listeners on a trip from the stage of Carnegie Hall to the floor of a Moscow hotel room in an attempt to understand an icon not through aspiring to his monumentality, but through connecting to his vulnerability. The album track “THE HOUSE I LIVE IN" and a video for it directed by Tines are available today.
The original score for Ken Burns’s new two-part documentary, Leonardo da Vinci, with new compositions by Caroline Shaw, is available via Nonesuch on October 25; the documentary airs on November 18 and 19 at 8pm ET (check local listings) on PBS, PBS.org, and the PBS App. The album features performances by the composer’s longtime collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for Leonardo da Vinci, marking the first time a Ken Burns film has featured an entirely original score. You can watch the video for “Intentions of the Mind" here. In a special event at The Town Hall in NYC October 29, the musicians will perform from the score, and the filmmakers will preview excerpts from the film.