Carnegie Hall has announced its 2026–27 concert season, including performances by Caroline Shaw, who has been named Richard and Barbara Debs Composer’s Chair for the season, Jeremy Denk, Gabriel Kahane, Kronos Quartet, Punch Brothers, and Silkroad Ensemble with Rhiannon Giddens, and works by Steve Reich, John Adams, David Longstreth, and others.

Cal Performances at the University of California, Berkeley, has announced its 2025–26 concert season, including Zellerbach Hall performances by Kronos Quartet, Jeremy Denk, Cécile McLorin Salvant, Chris Thile, and Rhiannon Giddens and Silkroad Ensemble.

Little Island in NYC announced its 2025 summer season, including performances by Davóne Tines in The Gospel at Colonus, Laurie Anderson and Sam Amidon in an Arthur Russell marathon curated by Thomas Bartlett, Amidon leading a shape-note singalong, Jeremy Denk with Conor Hanick, and Ringdown in a collaboration with choreographers Bobbi Jene Smith and Or Schraiber, plus several concerts curated by Cécile McLorin Salvant.

Jeremy Denk's album Ives Denk is out now. Released in celebration of the 150th anniversary of Ives' birth this Saturday, it features the composer's four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk's debut recording, Jeremy Denk Plays Ives. "Mr. Denk's playing exuded affinity for Ives and vivid imagination," the New York Times says. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian." Denk writes of Ives' music in the Times: "Its animating idea is generous: A restless search to find more in America than we thought, or even hoped, to find ... His best advice—advice we could all use—is to open your ears."

Pianist Jeremy Denk, whose new album, Ives Denk, is due October 18, stopped by for the Nonesuch Selects video series, in which artists visit the Nonesuch office, pick some of their favorite albums from the music library, and share a few words on their choices. He chose recordings by Jan DeGaetani, Gilbert Kalish, John Adams, Kronos Quartet, Richard Goode, Brad Mehldau, Caroline Shaw, Dawn Upshaw, and So Percussion, featuring music by Ives, Crumb, Schoenberg, Brahms, and more, and the Inside Llewyn Davis soundtrack and Jonny Greenwood's There Will Be Blood score.

Pianist Jeremy Denk and violinist Stefan Jackiw's performance of the first movement of Charles Ives's Violin Sonata No. 4 ("Children’s Day at the Camp Meeting"), from the upcoming album Ives Denk, is out now. Ives Denk, due October 18 in celebration of the 150th anniversary of Ives’ birth, features the composer’s four violin sonatas, performed with Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk’s 2010 debut recording, Jeremy Denk Plays Ives.

In celebration of Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, an extremely limited quantity of 100 box sets containing newly created prints from his Nonesuch archive, out now. You can take a quick look inside here. Designed by the Grammy-winning team at SMOG Design, each box comprises twenty 12" x 12" prints, numbered and signed by the photographer. Artists featured are Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres, who wrote a note for the box.

Jeremy Denk was on BBC Radio 4's Front Row to talk with presenter Kirsty Wark about Charles Ives, ahead of Denk's celebration of the composer's 150th birthday in concert at the Lammermuir Festival in Scotland this weekend and on his upcoming album Ives Denk, due October 18 on Nonesuch. You can hear their conversation here at 17:30 minutes in.

Jeremy Denk's album Ives Denk, due October 18, in celebration of the 150th anniversary of Ives' birth, features the composer's four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk's 2010 debut recording, Jeremy Denk Plays Ives. "Mr. Denk's playing exuded affinity for Ives and vivid imagination," the New York Times says of a concert performance. "Mr. Jackiw, deftly balancing fervor and elegance, beautiful tone and earthy colorings, proved a comparably inspired Ivesian."

For Nonesuch Records' 60th anniversary, the label has partnered with photographer Michael Wilson—who has exquisitely captured dozens of Nonesuch artists over the past quarter-century—to produce Michael Wilson / 25 Years: A Nonesuch Collection, 100 box sets of 20 newly created prints from his Nonesuch archive, due September 13. Here, Wilson shares stories from the photo sessions behind the images in the box, with Allen Toussaint, Ambrose Akinmusire, Audra McDonald, Bill Frisell, The Black Keys, Brad Mehldau, David Byrne, Dr. John, Emmylou Harris, Frederic Rzewski, Jeremy Denk, Kronos Quartet, Lorraine Hunt Lieberson, Manuel Galbán and Ry Cooder, Philip Glass, Randy Newman, Rhiannon Giddens, Stephin Merritt and Lemony Snicket, Steve Reich, and Timo Andres.

The 92nd Street Y in New York City (92NY) has announced its 2024–25 Tisch Music Season, including performances by Caroline Shaw and Sō Percussion, Jeremy Denk, Julia Bullock, Richard Goode, Brad Mehldau, Gabriel Kahane, and Days of Wine and Roses star Kelli O'Hara.

Pianist Jeremy Denk was on BBC Radio 3's Music Matters on Saturday to talk with presenter Sara Mohr-Pietsch ahead of his performance of the complete Bach Partitas at Wigmore Hall in London that night. "Inevitably when I practice, I don't say that I'm doing this, but I kind of take the piece apart and ask myself why every part is there," Denk says. "You don't want to say you're going into the mind of the composer, but you do a little bit. And then I like to feel that every part is justified, that I can make sense of it for myself." You can hear their conversation here.