Arkansas Democrat-Gazette: "Punch Brothers Were Quite Amazing" at Saturday's Show

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Punch Brothers' US tour took them to the Walton Arts Center in Arkansas on Saturday, leading the Arkansas Democrat-Gazette to state: "No matter what music they touched, the Punch Brothers were quite amazing." The review calls The Blind Leaving the Blind, from the band's Nonesuch debut, Punch, "the most impressive piece of the night." An examination of that piece in The Gospel & Culture Project concludes: "[Chris] Thile has made music that shakes fans out of genre-bound identities, challenges attention spans, and undermines pre-conceptions of where great music is to be found. TBLTB can teach listeners new ways to experience music."

Copy

Punch Brothers' US tour took them to the Walton Arts Center in Fayetville, Arkansas, on Saturday, when they played what the Arkansas Democrat-Gazette's Michelle Parks describes as a "lovefest" between the band and its audience.
 
"Though the group is relatively new," says Parks, "the music sounds like they’ve been playing together for years. Their rapport showed in their music, which was tight and perfectly timed. They took meandering side trips, sometimes pushing the music to the edge, but the audience had full confidence that they knew where they were headed."

The review calls The Blind Leaving the Blind, the four-movement centerpiece to the band's Nonesuch debut, Punch, "the most impressive piece of the night ... The entire piece was a rollercoaster ride of soothing, slow moments and breathtakingly fast ones."

Parks reports that Chris's "voice was wonderful" on the piece and calls its fourth movement "spirited and energetic with a hopeful feel."

The program included an eclectic assortment of tunes by a variety of other songwriters as well, from Jimmie Rodgers to Radiohead, leading Parks to conclude: "No matter what music they touched, the Punch Brothers were quite amazing."

Read the full review at nwanews.com.

---

The Gospel & Culture Project blog takes a fascinating, in-depth look at Punch and, in particular, The Blind Leaving the Blind, of which writer/musician Bethany Brooks writes:

The work’s technical demands—virtuosic passages, elaborate counterpoint, rhythmic complexity, and harmonic writing that pushes past the bounds of tonality—require players with complete mastery over their instruments ... [The piece] is beautiful as often as it is difficult, full of gorgeous melodies and tone colors.

Brooks credits the band's "dazzling virtuosity and Thile’s skill as a composer" with providing "sufficient reward to coax listeners through an unfamiliar musical landscape." She also sees the vocals on the piece as a key to its accessibility: "Atypical for a work of such scope and complexity, the Punch Brothers sing like folk or pop musicians, with a vocal style as casual as their concert attire."

Referencing the aforementioned songwriters Punch Brothers feature in their live performances, Brooks concludes:

By embracing influences as diverse as Debussy, Radiohead, and Jimmie Rodgers, Thile has made music that shakes fans out of genre-bound identities, challenges attention spans, and undermines pre-conceptions of where great music is to be found. TBLTB can teach listeners new ways to experience music.

Read the extensive article and its exploration of the inspiration behind Chris's writing of The Blind Leaving the Blind, at gospelandculture.org.

---

Punch Brothers perform tonight at the Mary Linn Performing Arts Center in Maryville, Missouri. For more upcoming tour dates, visit nonesuch.com/on-tour.

featuredimage
Punch Brothers sofa w/Punch type
  • Monday, November 24, 2008
    Arkansas Democrat-Gazette: "Punch Brothers Were Quite Amazing" at Saturday's Show
    Autumn De Wilde

    Punch Brothers' US tour took them to the Walton Arts Center in Fayetville, Arkansas, on Saturday, when they played what the Arkansas Democrat-Gazette's Michelle Parks describes as a "lovefest" between the band and its audience.
     
    "Though the group is relatively new," says Parks, "the music sounds like they’ve been playing together for years. Their rapport showed in their music, which was tight and perfectly timed. They took meandering side trips, sometimes pushing the music to the edge, but the audience had full confidence that they knew where they were headed."

    The review calls The Blind Leaving the Blind, the four-movement centerpiece to the band's Nonesuch debut, Punch, "the most impressive piece of the night ... The entire piece was a rollercoaster ride of soothing, slow moments and breathtakingly fast ones."

    Parks reports that Chris's "voice was wonderful" on the piece and calls its fourth movement "spirited and energetic with a hopeful feel."

    The program included an eclectic assortment of tunes by a variety of other songwriters as well, from Jimmie Rodgers to Radiohead, leading Parks to conclude: "No matter what music they touched, the Punch Brothers were quite amazing."

    Read the full review at nwanews.com.

    ---

    The Gospel & Culture Project blog takes a fascinating, in-depth look at Punch and, in particular, The Blind Leaving the Blind, of which writer/musician Bethany Brooks writes:

    The work’s technical demands—virtuosic passages, elaborate counterpoint, rhythmic complexity, and harmonic writing that pushes past the bounds of tonality—require players with complete mastery over their instruments ... [The piece] is beautiful as often as it is difficult, full of gorgeous melodies and tone colors.

    Brooks credits the band's "dazzling virtuosity and Thile’s skill as a composer" with providing "sufficient reward to coax listeners through an unfamiliar musical landscape." She also sees the vocals on the piece as a key to its accessibility: "Atypical for a work of such scope and complexity, the Punch Brothers sing like folk or pop musicians, with a vocal style as casual as their concert attire."

    Referencing the aforementioned songwriters Punch Brothers feature in their live performances, Brooks concludes:

    By embracing influences as diverse as Debussy, Radiohead, and Jimmie Rodgers, Thile has made music that shakes fans out of genre-bound identities, challenges attention spans, and undermines pre-conceptions of where great music is to be found. TBLTB can teach listeners new ways to experience music.

    Read the extensive article and its exploration of the inspiration behind Chris's writing of The Blind Leaving the Blind, at gospelandculture.org.

    ---

    Punch Brothers perform tonight at the Mary Linn Performing Arts Center in Maryville, Missouri. For more upcoming tour dates, visit nonesuch.com/on-tour.

    Journal Articles:On TourReviews

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, April 26, 2024
    Friday, April 26, 2024

    John Adams's El Niño gets Met premiere in NYC with Julia Bullock and Davóne Tines. Sam Amidon and Nico Muhly are in London. Joachim Cooder tours Ireland. Rhiannon Giddens tours Arizona. Hurray for the Riff Raff performs at New Orleans Jazz Fest, as do Molly Tuttle & Golden Highway, who also play in Alabama and Memphis. Nathalie Joachim joins Silkroad Ensemble at Oberlin. Kronos Quartet is at UCSB and UCLA. The Magnetic Fields perform 69 Love Songs in San Francisco. Mandy Patinkin is in Charlottesville, VA. Cécile McLorin Salvant tours France with orchestral arrangements by Darcy James Argue. Sarah Kirkland Snider's Mass for the Endangered is performed in Austin.

    Journal Topics: On TourWeekend Events
  • Thursday, April 25, 2024
    Thursday, April 25, 2024

    Vagabon (aka Laetitia Tamko) will support the band Crumb on tour this October. The shows begin in California—Santa Cruz, Oakland, and Sacramento—then head to Salt Lake City and Denver and on to Texas—Dallas, Houston, San Antonio, Austin, and El Paso—and Albuquerque and back to California to close out the tour in Santa Ana, San Diego, and Los Angeles.

    Journal Topics: Artist NewsOn Tour