Financial Times: Five Stars for Frisell Performance with BBC Symphony, to Air on BBC Radio 3

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

Bill Frisell unveiled a new piece with Mike Gibbs and the BBC Symphony Orchestra at the Barbican in London last Friday. The London Jazz Festival performance will be broadcast on BBC Radio 3's Afternoon on 3 today. "Each year, the London Jazz Festival marshals orchestral resources for landmark special events," writes the Financial Times in a five-star review. "This year’s centrepiece was a platform for Bill Frisell." The Guardian gives it four stars, saying "the graceful balance of order and open jamming in Gibbs's orchestral score let most of this unique artist's character glow through."

Copy

Bill Frisell unveiled Collage for a Day, a new piece he wrote orchestrated by Mike Gibbs, in a performance with the BBC Symphony Orchestra and drummer Joey Baron at Barbican Hall in London last Friday. The program was part of the London Jazz Festival and included BBCSO performances of Copland's Appalachian Spring and Ives's Three Places in New England as well. BBC Radio 3, which commissioned the new work, will broadcast the concert today on Afternoon on 3, beginning at 3:15 PM GMT. You can tune in online at bbc.co.uk.

---

"Each year, the London Jazz Festival marshals orchestral resources for landmark special events," writes Financial Times music critic Mike Hobart. "This year’s centrepiece was a platform for Bill Frisell," one that earned a perfect five-star rating from the paper. Hobart also draws attention to Gibbs's arrangements for the BBCSO, which, he says, "wove the orchestra in and round Frisell’s lead, providing majestic support, textural embellishment and melodic statement."

Read the five-star review plus more of Hobart's coverage from the London Jazz Festival at ft.com.

---

The Guardian's John Fordham gives the Friday night performance four stars, also pointing to Gibbs efforts for creating "a sumptuous yet flexible orchestral setting for some of Frisell's classic themes." Fordham explains how the two artists complemented each other's work:

The purr of the orchestra's strings softened and even romanticised the guitarist's trademark harmonically twisted country chords and jaunty rockabilly dances. But the graceful balance of order and open jamming in Gibbs's orchestral score let most of this unique artist's character glow through.

Read the complete concert review at guardian.co.uk.

featuredimage
Bill Frisell 2
  • Tuesday, November 24, 2009
    Financial Times: Five Stars for Frisell Performance with BBC Symphony, to Air on BBC Radio 3
    Michael Wilson

    Bill Frisell unveiled Collage for a Day, a new piece he wrote orchestrated by Mike Gibbs, in a performance with the BBC Symphony Orchestra and drummer Joey Baron at Barbican Hall in London last Friday. The program was part of the London Jazz Festival and included BBCSO performances of Copland's Appalachian Spring and Ives's Three Places in New England as well. BBC Radio 3, which commissioned the new work, will broadcast the concert today on Afternoon on 3, beginning at 3:15 PM GMT. You can tune in online at bbc.co.uk.

    ---

    "Each year, the London Jazz Festival marshals orchestral resources for landmark special events," writes Financial Times music critic Mike Hobart. "This year’s centrepiece was a platform for Bill Frisell," one that earned a perfect five-star rating from the paper. Hobart also draws attention to Gibbs's arrangements for the BBCSO, which, he says, "wove the orchestra in and round Frisell’s lead, providing majestic support, textural embellishment and melodic statement."

    Read the five-star review plus more of Hobart's coverage from the London Jazz Festival at ft.com.

    ---

    The Guardian's John Fordham gives the Friday night performance four stars, also pointing to Gibbs efforts for creating "a sumptuous yet flexible orchestral setting for some of Frisell's classic themes." Fordham explains how the two artists complemented each other's work:

    The purr of the orchestra's strings softened and even romanticised the guitarist's trademark harmonically twisted country chords and jaunty rockabilly dances. But the graceful balance of order and open jamming in Gibbs's orchestral score let most of this unique artist's character glow through.

    Read the complete concert review at guardian.co.uk.

    Journal Articles:On TourReviewsRadio

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, April 26, 2024
    Friday, April 26, 2024

    John Adams's El Niño gets Met premiere in NYC with Julia Bullock and Davóne Tines. Sam Amidon and Nico Muhly are in London. Joachim Cooder tours Ireland. Rhiannon Giddens tours Arizona. Hurray for the Riff Raff performs at New Orleans Jazz Fest, as do Molly Tuttle & Golden Highway, who also play in Alabama and Memphis. Nathalie Joachim joins Silkroad Ensemble at Oberlin. Kronos Quartet is at UCSB and UCLA. The Magnetic Fields perform 69 Love Songs in San Francisco. Mandy Patinkin is in Charlottesville, VA. Cécile McLorin Salvant tours France with orchestral arrangements by Darcy James Argue. Sarah Kirkland Snider's Mass for the Endangered is performed in Austin.

    Journal Topics: On TourWeekend Events
  • Thursday, April 25, 2024
    Thursday, April 25, 2024

    Vagabon (aka Laetitia Tamko) will support the band Crumb on tour this October. The shows begin in California—Santa Cruz, Oakland, and Sacramento—then head to Salt Lake City and Denver and on to Texas—Dallas, Houston, San Antonio, Austin, and El Paso—and Albuquerque and back to California to close out the tour in Santa Ana, San Diego, and Los Angeles.

    Journal Topics: Artist NewsOn Tour