John Adams's Songplay "Ceiling/Sky" to Receive LA Premiere

Browse by:
Year
Browse by:
Publish date (field_publish_date)
Submitted by nonesuch on
Article Type
Publish date
Excerpt

John Adams’s 1995 "songplay" I Was Looking at the Ceiling and Then I Saw the Sky receives its long-overdue LA premiere in a Long Beach Opera performance at the Ford Amphitheatre on Saturday. The piece, with a libretto by the late poet June Jordan, uses the 1994 Northridge, California, earthquake as a starting point to explore race, gender, and immigration issues among young Angelenos. Nonesuch Records released the recording of Ceiling/Sky in 1998, featuring Audra McDonald, among others.

Copy

John Adams’s 1995 "songplay" I Was Looking at the Ceiling and Then I Saw the Sky receives its long-overdue Los Angeles premiere in a Long Beach Opera performance outdoors at the Ford Amphitheatre in Los Angeles this Saturday, August 23. The piece, which features a libretto by the late poet June Jordan, uses the 1994 Northridge, California, earthquake as a starting point to explore race, gender, and immigration issues among young Angelenos. This concert staging of Ceiling/Sky, presented by the LA County Arts Commission 20 years after the 1994 Northridge earthquake, is conducted by Artistic Director Andreas Mitisek and stars Cedric Berry, Bernard Holcomb, Zeffin Quinn Hollis, Andrew Nguyen, Lindsay Patterson, Zipporah Peddle and Holly Sedillos. For tickets, visit fordtheatre.org.

The world premiere of I Was Looking at the Ceiling and Then I Saw the Sky took place in May 1995 at the Zellerbach Playhouse at the University of California, Berkeley, under the direction of Adams's frequent collaborator Peter Sellars. Nonesuch Records released the first recording of the piece in 1998, featuring Audra McDonald, Marin Mazzie, Michael McElroy, Richard Muenz, Angela Teek, Darius De Haas, and Welly Yang. To pick up a copy of the recording, head to the Nonesuch Store, where CD orders include a free MP3 download of the complete album at checkout.

John Adams recently spoke with LA Weekly's Christian Hertzog to discuss the piece and why it's taken as long as it has to be performed in the city in which it is set, especially given the continued relevance of its subject matters, and the challenges of composing for the idiom of this "songplay."

"It called on a different part of my skills," Adams tells Herzog. "It took me a year to write that many songs. ... I understand why great pop artists don’t produce an album more than once every two or three years."

Read the article at laweekly.com.

featuredimage
John Adams: "Ceiling/Sky" [cover]
  • Wednesday, August 20, 2014
    John Adams's Songplay "Ceiling/Sky" to Receive LA Premiere

    John Adams’s 1995 "songplay" I Was Looking at the Ceiling and Then I Saw the Sky receives its long-overdue Los Angeles premiere in a Long Beach Opera performance outdoors at the Ford Amphitheatre in Los Angeles this Saturday, August 23. The piece, which features a libretto by the late poet June Jordan, uses the 1994 Northridge, California, earthquake as a starting point to explore race, gender, and immigration issues among young Angelenos. This concert staging of Ceiling/Sky, presented by the LA County Arts Commission 20 years after the 1994 Northridge earthquake, is conducted by Artistic Director Andreas Mitisek and stars Cedric Berry, Bernard Holcomb, Zeffin Quinn Hollis, Andrew Nguyen, Lindsay Patterson, Zipporah Peddle and Holly Sedillos. For tickets, visit fordtheatre.org.

    The world premiere of I Was Looking at the Ceiling and Then I Saw the Sky took place in May 1995 at the Zellerbach Playhouse at the University of California, Berkeley, under the direction of Adams's frequent collaborator Peter Sellars. Nonesuch Records released the first recording of the piece in 1998, featuring Audra McDonald, Marin Mazzie, Michael McElroy, Richard Muenz, Angela Teek, Darius De Haas, and Welly Yang. To pick up a copy of the recording, head to the Nonesuch Store, where CD orders include a free MP3 download of the complete album at checkout.

    John Adams recently spoke with LA Weekly's Christian Hertzog to discuss the piece and why it's taken as long as it has to be performed in the city in which it is set, especially given the continued relevance of its subject matters, and the challenges of composing for the idiom of this "songplay."

    "It called on a different part of my skills," Adams tells Herzog. "It took me a year to write that many songs. ... I understand why great pop artists don’t produce an album more than once every two or three years."

    Read the article at laweekly.com.

    Journal Articles:Artist NewsOn Tour

Enjoy This Post?

Get weekly updates right in your inbox.
terms

X By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Thank you!
x

Welcome to Nonesuch's mailing list!

Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
terms

By submitting my information, I agree to receive personalized updates and marketing messages about Nonesuch based on my information, interests, activities, website visits and device data and in accordance with the Privacy Policy. I understand that I can opt-out at any time by emailing privacypolicy@wmg.com.

Related Posts

  • Friday, April 26, 2024
    Friday, April 26, 2024

    The Library of Congress has acquired the collection of manuscripts, instruments, costumes, video and audio recordings, and more from Kronos Quartet and its non-profit organization, Kronos Performing Arts Association. “It’s gratifying to know that Kronos’ legacy will be preserved in perpetuity alongside the manuscripts and other treasures of so many other influential musicians from the US and around the world," said KPAA Executive Director Janet Cowperthwaite. "We are perhaps even more excited to reflect upon all the musicians and scholars who will have access to these materials in years to come, informing their own work and carrying Kronos’ inspiration and influence into the future.” The Library also appointed Kronos founder, artistic director, and violinist David Harrington as the Kluge Chair in Modern Culture and inducted Kronos’ 1992 album Pieces of Africa into the National Recording Registry.

    Journal Topics: Artist News
  • Thursday, April 25, 2024
    Thursday, April 25, 2024

    Vagabon (aka Laetitia Tamko) will support the band Crumb on tour this October. The shows begin in California—Santa Cruz, Oakland, and Sacramento—then head to Salt Lake City and Denver and on to Texas—Dallas, Houston, San Antonio, Austin, and El Paso—and Albuquerque and back to California to close out the tour in Santa Ana, San Diego, and Los Angeles.

    Journal Topics: Artist NewsOn Tour