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Rhiannon Giddens has released “Yet to Be,” a new single from her forthcoming album, You’re the One, due August 18. “Yet to Be” features Jason Isbell and tells the story of a Black woman and an Irish man falling in love in America. You can watch the video here.
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Rhiannon Giddens has released “Yet to Be,” a new single from her forthcoming album, You’re the One, which is due August 18 on Nonesuch Records and is available to pre-order here. “Yet to Be” features Jason Isbell and tells the story of a Black woman and an Irish man falling in love in America. Giddens chose to collaborate with Isbell for his steadfast advocacy and support for Black women in the industry, admiring both his singing and his character. You can watch the video here:
You’re the One, Giddens’ first album of all original songs, has already received critical praise, with Uncut calling the album an “accomplished tour d’horizon by [a] prolific polymath.” The Arts Desk says: "Mingling Memphis-style horns with an Appalachian feel and her own particular soulful Americana, this isn't tricksy music, just upfront, inclusive, immediate and human." Of the title track “You’re the One,” the New York Times says “the song explodes out of her string-band foundations—banjo and fiddle—into full-tilt rock choruses, bursting with euphoria.”
Giddens also recently announced the biggest headlining shows of her career, including performances at the Ryman Auditorium in Nashville, the Barbican Centre in London, the Beacon Theatre in New York City, and the Ace Theater in Los Angeles. See below for details and tickets; for all the latest, visit nonesuch.com/on-tour.
You’re the One, produced by Jack Splash (Kendrick Lamar, Solange, Alicia Keys, Valerie June, Tank and the Bangas), features twelve songs, written over the course of Giddens’ career, that burst with life-affirming energy, drawing from the folk music that she knows so deeply, as well as its pop descendants. It was recorded with a band composed of Giddens’s closest musical collaborators from the past decade alongside musicians from producer Splash’s own Rolodex, topped off with a horn section, making an impressive ten- to twelve-person ensemble. The collaborators include Italian multi-instrumentalist Francesco Turrisi plus multi-instrumentalist Dirk Powell, bassist Jason Sypher, and Congolese guitarist Niwel Tsumbu. The album features electric and upright bass, conga, Cajun and piano accordions, guitars, a Western string section, and Miami horns, among other instruments, capturing the inclusive spirit that channels through all of her work.
Rhiannon Giddens Shares “Yet to Be,” Featuring Jason Isbell, from New Album You’re the One, Due August 18
Rhiannon Giddens has released “Yet to Be,” a new single from her forthcoming album, You’re the One, which is due August 18 on Nonesuch Records and is available to pre-order here. “Yet to Be” features Jason Isbell and tells the story of a Black woman and an Irish man falling in love in America. Giddens chose to collaborate with Isbell for his steadfast advocacy and support for Black women in the industry, admiring both his singing and his character. You can watch the video here:
You’re the One, Giddens’ first album of all original songs, has already received critical praise, with Uncut calling the album an “accomplished tour d’horizon by [a] prolific polymath.” The Arts Desk says: "Mingling Memphis-style horns with an Appalachian feel and her own particular soulful Americana, this isn't tricksy music, just upfront, inclusive, immediate and human." Of the title track “You’re the One,” the New York Times says “the song explodes out of her string-band foundations—banjo and fiddle—into full-tilt rock choruses, bursting with euphoria.”
Giddens also recently announced the biggest headlining shows of her career, including performances at the Ryman Auditorium in Nashville, the Barbican Centre in London, the Beacon Theatre in New York City, and the Ace Theater in Los Angeles. See below for details and tickets; for all the latest, visit nonesuch.com/on-tour.
You’re the One, produced by Jack Splash (Kendrick Lamar, Solange, Alicia Keys, Valerie June, Tank and the Bangas), features twelve songs, written over the course of Giddens’ career, that burst with life-affirming energy, drawing from the folk music that she knows so deeply, as well as its pop descendants. It was recorded with a band composed of Giddens’s closest musical collaborators from the past decade alongside musicians from producer Splash’s own Rolodex, topped off with a horn section, making an impressive ten- to twelve-person ensemble. The collaborators include Italian multi-instrumentalist Francesco Turrisi plus multi-instrumentalist Dirk Powell, bassist Jason Sypher, and Congolese guitarist Niwel Tsumbu. The album features electric and upright bass, conga, Cajun and piano accordions, guitars, a Western string section, and Miami horns, among other instruments, capturing the inclusive spirit that channels through all of her work.
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By submitting my information, I agree to receive personalized updates and
marketing messages about Nonesuch based on my information, interests,
activities, website visits and device data and in accordance with the
Privacy Policy. I understand that I can opt-out at any time by emailing
privacypolicy@wmg.com.
Thank you!
x
Welcome to Nonesuch's mailing list!
Customize your notifications for tour dates near your hometown, birthday wishes, or special discounts in our online store!
Rhiannon Giddens Shares “Yet to Be,” Featuring Jason Isbell, from New Album You’re the One, Due August 18
Rhiannon Giddens has released “Yet to Be,” a new single from her forthcoming album, You’re the One, which is due August 18 on Nonesuch Records and is available to pre-order here. “Yet to Be” features Jason Isbell and tells the story of a Black woman and an Irish man falling in love in America. Giddens chose to collaborate with Isbell for his steadfast advocacy and support for Black women in the industry, admiring both his singing and his character. You can watch the video here:
You’re the One, Giddens’ first album of all original songs, has already received critical praise, with Uncut calling the album an “accomplished tour d’horizon by [a] prolific polymath.” The Arts Desk says: "Mingling Memphis-style horns with an Appalachian feel and her own particular soulful Americana, this isn't tricksy music, just upfront, inclusive, immediate and human." Of the title track “You’re the One,” the New York Times says “the song explodes out of her string-band foundations—banjo and fiddle—into full-tilt rock choruses, bursting with euphoria.”
Giddens also recently announced the biggest headlining shows of her career, including performances at the Ryman Auditorium in Nashville, the Barbican Centre in London, the Beacon Theatre in New York City, and the Ace Theater in Los Angeles. See below for details and tickets; for all the latest, visit nonesuch.com/on-tour.
You’re the One, produced by Jack Splash (Kendrick Lamar, Solange, Alicia Keys, Valerie June, Tank and the Bangas), features twelve songs, written over the course of Giddens’ career, that burst with life-affirming energy, drawing from the folk music that she knows so deeply, as well as its pop descendants. It was recorded with a band composed of Giddens’s closest musical collaborators from the past decade alongside musicians from producer Splash’s own Rolodex, topped off with a horn section, making an impressive ten- to twelve-person ensemble. The collaborators include Italian multi-instrumentalist Francesco Turrisi plus multi-instrumentalist Dirk Powell, bassist Jason Sypher, and Congolese guitarist Niwel Tsumbu. The album features electric and upright bass, conga, Cajun and piano accordions, guitars, a Western string section, and Miami horns, among other instruments, capturing the inclusive spirit that channels through all of her work.
The Library of Congress has acquired the collection of manuscripts, instruments, costumes, video and audio recordings, and more from Kronos Quartet and its non-profit organization, Kronos Performing Arts Association. “It’s gratifying to know that Kronos’ legacy will be preserved in perpetuity alongside the manuscripts and other treasures of so many other influential musicians from the US and around the world," said KPAA Executive Director Janet Cowperthwaite. "We are perhaps even more excited to reflect upon all the musicians and scholars who will have access to these materials in years to come, informing their own work and carrying Kronos’ inspiration and influence into the future.” The Library also appointed Kronos founder, artistic director, and violinist David Harrington as the Kluge Chair in Modern Culture and inducted Kronos’ 1992 album Pieces of Africa into the National Recording Registry.
Vagabon (aka Laetitia Tamko) will support the band Crumb on tour this October. The shows begin in California—Santa Cruz, Oakland, and Sacramento—then head to Salt Lake City and Denver and on to Texas—Dallas, Houston, San Antonio, Austin, and El Paso—and Albuquerque and back to California to close out the tour in Santa Ana, San Diego, and Los Angeles.