Wilco (the album) is due out June 30 on Nonesuch, and Billboard offers a hint of what's to come, stating that, "musically, Wilco (the album) offers a little bit of everything while making good on frontman Jeff Tweedy's stated goal to use 'the studio as another instrument.'" The article offers insight on each of the album's tracks, including its "majestic" closer and "a gorgeous duet" with Feist. Blurt magazine's review of the band's new concert DVD, Ashes of American Flags, compares it favorably to Scorsese's The Last Waltz, leading the reviewer to commit to Wilco as "the greatest American rock 'n' roll band."

Dawn Upshaw and pianist Gilbert Kalish performed at Boston's Jordan Hall on Sunday afternoon, in what the Boston Globe calls a "memorable" recital. "She is, indisputably, a great singer, with a voice that radiates power and unforced warmth," says the Globe. "But her secret weapon is a casual, unpretentious demeanor that lessens the distance between stage and audience. Listeners in her presence experience music not as the inaccessible product of a holy art but as a thing of open, approachable beauty." Later this month, Nonesuch will reissue, as MP3 albums, exclusively in the Nonesuch Store, five recordings of the Haydn piano sonatas Kalish made for the label between 1975 and 1980.

Today marks the release of Richard Goode's first-ever recording of the complete Beethoven piano concertos, with the Budapest Festival Orchestra and conductor Iván Fischer. In a perfect five-star review of the recording, the Financial Times declares it a "landmark recording of the Beethoven concertos." The review continues: "Goode makes the familiar sound unexpectedly fresh. He plays without mannerism, without stylistic quirks, without making anything sound predictable." Goode performs solo works by Bach and Chopin tonight at Carnegie Hall.

Richard Goode's recording of all five Beethoven piano concertos with the Budapest Festival Orchestra and conductor Iván Fischer, is set for release on Nonesuch this week. The New York Times examines both the new set and Goode's earlier recordings in an in-depth look at the pianist's career and his extensive history with the label, describing it as "a long and productive affiliation ... that any musician would envy." Even in an earlier time when such relationships were perhaps less rare, "Mr. Goode would have stood out for his fastidious musicianship, infallible fingers, warming spirit and vital connection to the living traditions set down by his predecessors."

Nonesuch will release its second album by Grammy Award–winning singer/songwriter/guitarist Shawn Colvin, Live, on June 23, 2009. Recorded in 2008 during a special three night solo engagement at San Francisco’s famous jazz club Yoshi’s, Live includes 12 songs written or co-written by Colvin, as well as covers of songs by Robbie Robertson, Gnarls Barkley, and the Talking Heads. The record was co-produced by Colvin and longtime collaborator John Leventhal.

Nonesuch Records will release Malian singer Oumou Sangare’s first album in six years, Seya, in North America on June 9. Since its European release  earlier this year, Seya has received critical acclaim from outlets including MOJO, The Times, Uncut, The Independent, and Observer Music Monthly, which calls the record “a masterpiece.” This summer, Sangare tours major festivals in support of the new record. You can watch a video of Oumou performing the title track at nonesuch.com/media.

Of Richard Goode, the Denver Post has written, "he might well be without equal when it comes to the music of Beethoven." Next week, Nonesuch Records will release Goode's first-ever recording of the complete Beethoven concertos, performed with the Budapest Festival Orchestra and conductor Iván Fischer. All this week, Britain's Classic FM is playing tracks from the set, which its Executive Producer calls "one of the best new CDs of the year so far," even more pointedly exclaiming: "I can safely say that this is going to become one of the benchmark recordings of these Beethoven masterpieces." The Independent gives the recording a perfect five stars.

Voltaic, a very special CD/LP/DVD project from Björk, is set to be released in the US by Nonesuch Records on June 30, 2009. Available in five different physical configurations, it is a lovingly packaged celebration of the past two years of Björk’s Volta activities—her critically praised sixth studio album, which came out in 2007, and the subsequent two-year world tour. Voltaic serves as a coda to Volta, an album about which NME said “Volta is a thunderous return as enchanting as Debut,’’ while Q described it as “the best album that Björk has done in a decade—a reminder of what a vital force she is.”

Wilco has completed work on their forthcoming album, due out June 30 on Nonesuch Records, and, after much anticipation, it now comes complete with a title: Wilco (the album). "There’s a little something for everyone on the group’s new disc," says Rolling Stone. Wilco's performance at the New Orleans JazzFest last weekend was their last US gig till June, and, says Rolling Stone, "The band presented its friendliest, most rootsy face ... Throughout, the band’s movement from a whisper to a screech happened organically." "The fresh air favors Wilco," reports the Times-Picayune. "Jeff Tweedy and company delivered thrilling, nuanced sets ... [and] stamped an exclamation point on ... the day."

Nonesuch Records will release the self-titled label debut from singer-songwriter Christina Courtin on June 23. The New York Times says Courtin’s voice “feels uniquely otherworldly, as if it couldn’t possibly be entirely human born.” The album is co-produced by Courtin, a graduate of The Juilliard School; jazz bassist Greg Cohen; and her frequent band mate singer/guitarist Ryan Scott. Cohen and Scott also contribute bass and guitar to the recording. Several  acclaimed musicians join them, including keyboardist Benmont Tench, drummer Jim Keltner, pedal-steel player Greg Leisz, Punch Brothers violinist Gabe Witcher, and multi-instrumentalist Jon Brion.

Allen Toussaint Nonesuch solo debut, The Bright Mississippi, is out today. The Washington Post calls it an "exquisite new set of Crescent City-associated jazz" that reveals Toussaint's "great flair and imagination as an interpreter and performer." The Philadelphia Daily News rates it an A-, and Audiophile Audition gives four stars to "one of the finest releases of Toussaint's extensive, storied discography ... Highlights are many." Creative Loafing gives it a perfect five stars, describing it as "nothing short of a revelation, an album ... that both honors and reinvents a number of songs associated with early New Orleans blues and jazz."

Allen Toussaint's Nonesuch solo debut album, The Bright Mississippi is set for release tomorrow. "Mr. Toussaint brings to these songs his own elegant, reserved sensibility," says the New York Times. "He doesn’t rip them apart or interrogate them on the harmonic or rhythmic terms with which they’ve usually been met; he shines them up and levels them out into slow-rolling and grandiloquent New Orleans songs, full of tremolo chords and serenity no matter whether they were written by Duke Ellington or Thelonious Monk or Django Reinhardt." The Chicago Tribune gives four stars to the "top-notch" new album; The Independent gives it four stars too and describes Toussaint as "the jewel in New Orleans's crown," citing one track as "a bravura performance that bears out Van Dyke Parks's estimation of Toussaint as 'the greatest piano player alive.'"