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  • Wednesday,July 6,2022

    "John’s music is about promise and progress," Julia Bullock writes in her note in the new 40-disc box set John Adams Collected Works. "It comments on the inherent threat of exploiting power while embodying it. There’s fire and fragility, placed alongside organized form and frequency. I love John’s music. I love singing it, learning from it. And I love listening to it." You can read her complete note from the box set here.

    Journal Topics: Artist EssaysArtist News
  • Monday,June 27,2022

    "John’s music has been such a constant in my life that it’s reached a base level of my consciousness—it’s part of the way I hear all music now," Timo Andres (pictured here with John Adams in 2007) writes in his note in the new 40-disc box set John Adams Collected Works. "But in this case, it goes beyond the music. John showed me a model for life as an artist, one in which being communicative, permeable, and all-embracing can coexist with good craftsmanship, strongly held opinions, and the pursuit of one’s life’s work with single-minded intensity." You can read his complete note from the box set here.

    Journal Topics: Artist EssaysArtist News
  • Thursday,April 28,2022

    "It would be difficult to make an account of all the ways John Adams’s music has influenced me and my work," Nico Muhly writes in his note in the upcoming 40-disc box set John Adams Collected Works, "but in the spirit of writing something personal, I’d like to offer a few perhaps impersonal observations about his work in a more circular, even crabwise, fashion. There are specific places in John’s music where there is a rhyme hidden across decades, relating to an elusive sense of 'meaning' in his music which radiates across his body of work." You can read his complete note from the box set here.

    Journal Topics: Artist Essays
  • Tuesday,July 28,2020

    In this essay, composer Sarah Kirkland Snider shares the story of (and behind-the-scenes photos from) her collaboration with video designer Deborah Johnson / CandyStations on Mass for the Endangered. The Mass, with a libretto by poet/writer Nathaniel Bellows, is a celebration of, and an elegy for, the natural world, an appeal for greater awareness, urgency, and action. The recording, on which the English vocal ensemble Gallicantus performs the piece, is due September 25. 'Sanctus/Benedictus,' from the piece, is available now, as is Johnson's video for it.

    Journal Topics: Artist EssaysArtist NewsVideo
  • Monday,June 22,2020

    The members of the original Joshua Redman Quartet—Redman, Brad Mehldau, Christian McBride, and Brian Blade—who reunite for the upcoming album RoundAgain, met up for a conversation about the project, their first recording together since 1994’s MoodSwing. They shared stories from their long history together while at the Falcon in upstate New York for a performance last fall. You can watch the conversation here, along with previously released performances of two RoundAgain tracks from the concert.

    Journal Topics: Artist EssaysArtist NewsVideo
  • Monday,July 1,2019

    Composer William Brittelle has shared the full score for and story of "Forbidden Colors," from his new album, Spiritual America. On the album, Wye Oak, Brooklyn Youth Chorus, and the Metropolis Ensemble perform a genre-defying electro-acoustic song cycle written by Brittelle, who works to reconcile his youth in a conservative Christian household with his adult life as an "agnostic Buddhist." You can download the "Forbidden Colors" score and follow along as Brittelle breaks it down here.

    Journal Topics: Artist Essays
  • Friday,May 31,2019

    Brad Mehldau has written an essay regarding his song "The Prophet Is a Fool," from his new album, Finding Gabriel, and the video for it featuring animation by Dima Drjuchin, to "explain a bit of the personal emotions and politics that went into it." You can read it here.

    Journal Topics: Artist Essays
  • Tuesday,May 22,2018

    Brad Mehldau has shared the story behind the title track to his new Trio album, Seymour Reads The Constitution!, in a new essay. "In 2014, I had a dream that the actor Philip Seymour Hoffman was reading the American Constitution to me," he begins. You can read what he has to say here.

    Journal Topics: Artist Essays
  • Tuesday,October 3,2017

    Rhiannon Giddens delivered the keynote address at the 2017 International Bluegrass Music Association business conference held in downtown Raleigh, North Carolina, on Tuesday, September 26. Here are her remarks, titled "Community and Connection."

    Journal Topics: Artist EssaysArtist News
  • Friday,June 20,2014

    Rokia Traoré joined the United Nations High Commissioner for Refugees (UNHCR) at a refugee camp in Burkina Faso to meet and hear from those displaced by the troubles in her home country of Mali. In honor of today's World Refugee Day, Traoré has written about the experience in an essay, which you can read here.

    Journal Topics: Artist NewsArtist Essays
  • Thursday,May 1,2014

    The Black Keys stopped by the BBC's Maida Vale Studios in London to talk with Zane Lowe and perform three tracks from their forthcoming album, Turn Blue: the first single, "Fever"; the title track; and an exclusive new track from the album, "Bullet in the Brain." You can watch the performance of "Bullet in the Brain" here. The band was on Later … with Jools Holland live on Tuesday and will be on the full show Friday night.

    Journal Topics: Artist EssaysVideoRadio
  • Monday,October 7,2013

    Jeremy Denk has written a brief personal history for this week's issue of The New Yorker, the Money Issue. In the piece, his third for the magazine, Denk shares a story from early in his career. He is also featured on the latest edition of The New Yorker's Out Loud podcast, discussing his new recording of Bach's Goldberg Variations. The album includes video "liner notes," about which Tom Moon writes in Medium: "After hearing him speak with such precision about the details of the work, it’s an absolute delight to hear him use so much of his personality—his poise and exacting sense of order, his restraint leavened by a childlike peering-around-corners curiosity—to bring Bach to life."

    Journal Topics: Artist NewsArtist EssaysWeb

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