Composer and guitarist Yasmin Williams's new album, Acadia, is out today. The album, her Nonesuch debut and her most sonically expansive work to date, comprises nine original, mostly instrumental, tracks written and produced by Williams, and features her on various guitars, banjo, calabash drum, tap shoes, and kora. Williams is joined on the album by an eclectic cast of collaborators—including Immanuel Wilkins on saxophone, Dom Flemons on rhythm bones, Aoife O’Donovan on vocals, William Tyler on guitar, and many others—creating a folk music that reflects the wide range of musical influences that have inspired her throughout her life.

The Black Keys' eighteen-track Ohio Players (Trophy Edition), featuring four previously unreleased tracks, is due November 15. This deluxe edition of the band’s twelfth studio album is a two LP set, in a gatefold jacket, with an alternate cover and new album sequencing. A new song from the set, “Mi Tormenta,” featuring DannyLux, is out now, along with a video directed by Corey Bost. Other special guests on the new Trophy Edition tracks include Alice Cooper and Beck. The Black Keys will play three shows in Latin America next spring, in Lima, Bogotá, and Mexico City.

Silkroad and its Artistic Director Rhiannon Giddens will release the album American Railroad on November 15 via Nonesuch Records. They will also release the American Railroad podcast series, in partnership with PRX, the first episode of which will drop on November 14. Both releases are part of Silkroad's multi-year American Railroad initiative and coincide with Giddens and their November American Railroad tour. The first track from the album, Rhiannon Giddens’s arrangement of the traditional songs “Swannanoa Tunnel / Steel-Driving Man,” is available today; the accompanying performance video can be seen here.

In celebration of the Playwrights Horizons production of Gabriel Kahane’s Magnificent Bird / Book of Travelers, which opened yesterday, Nonesuch releases a recording of his song “Give Us the Ballot” today. Kahane wrote the song in October 2020, during the final month of a year spent off the internet, at the height of the pandemic. “‘Give Us the Ballot’ was written in October 2020, among the same batch of tunes that led to the album Magnificent Bird,” Kahane says. “With another election on the horizon, I thought this was the best moment to release a song that describes my relationship to voting, at a time when it is easy to become cynical about our sclerotic political landscape.”

Congratulations to Molly Tuttle & Golden Highway, whose latest album, City of Gold, won the IBMA Bluegrass Music Award for Album of the Year at the ceremony in Raleigh last night. They won the GRAMMY Award for Best Bluegrass Album for City of Gold earlier this year, and their debut album, Crooked Tree, won both awards last year.

Natalie Merchant spoke with Sheroes host Carmel Holt, a longtime friend, on the latest episode of the show and its special ten-part series The Road to Joni, honoring Joni Mitchell. This week, on episode four, "The Bridge to Joni," Merchant discusses her own relationship with Mitchell's music and shares a previously unreleased recording of her performing "All I Want" from her personal archives. You can hear the episode, which also features Madison Cunningham, here.

“The Last Supper," from Caroline Shaw's original score for Ken Burns's new two-part documentary, LEONARDO da VINCI, is out now, along with a music video you can watch here. The album, with new compositions by Shaw and performances by Attacca Quartet, Sō Percussion, Roomful of Teeth, and John Patitucci, is due October 25; the documentary airs on November 18 and 19 at 8pm ET on PBS, PBS.org, and the PBS App. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score.

Pianist Jeremy Denk and violinist Stefan Jackiw's performance of the first movement of Charles Ives's Violin Sonata No. 4 ("Children’s Day at the Camp Meeting"), from the upcoming album Ives Denk, is out now. Ives Denk, due October 18 in celebration of the 150th anniversary of Ives’ birth, features the composer’s four violin sonatas, performed with Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk’s 2010 debut recording, Jeremy Denk Plays Ives.

Composer Donnacha Dennehy, whose new album, Land of Winter, performed by Alarm Will Sound, is due November 15, stopped by for the Nonesuch Selects video series, in which artists visit the Nonesuch office, pick some of their favorite albums from the music library, and share a few words on their choices. He chose recordings by Henryk Górecki, John Adams, Laurie Anderson, Kronos Quartet, Louis Andriessen, and Giya Kancheli, and Le Mystère des Voix Bulgares.

"On Hurray for the Riff Raff's latest album, The Past Is Still Alive, songwriter Alynda Segarra acts as a reanimator, casting the old American cowboy myth in a new light, crafting heroic legends for long-lost friends of theirs, and finding ways to commune with their father, who they lost right before recording the album," Raina Douris, host of NPR's World Cafe, says of her guest. "I love this record." You can hear their conversation here. Segarra was also on ABC Radio National's The Music Show ahead of their Australian tour next month.

Molly Tuttle & Golden Highway's new six-song EP, Into the Wild, is out now. The EP, a follow-up to their Grammy-winning and critically acclaimed 2023 album, City of Gold, features three new songs—the title track, “Getaway Girl,” and a cover of Kate Wolf’s “Here in California”—as well as previously released covers of Jefferson Airplane’s “White Rabbit” and Olivia Rodrigo’s “good 4 u” and an alternate version of the City of Gold track “Stranger Things.”

Bolivian-born singer and multimedia performer Ibelisse Guardia Ferragutti and Chicago expat jazz drummer Frank Rosaly and their debut full-length album as co-composers, arrangers, and musicians, MESTIZX, are the subject of a new documentary from International Anthem, with whom Nonesuch released the album, edited by David Burkart. Over twenty-two minutes and twenty-seconds, the short film follows the Amsterdam-based duo down their personal, creative paths to crafting the album.