Yes, 'tis the season for year-end "Best of" lists from music critics, and the Nonesuch Journal is sure to let you know about the occasional one or two over the next few weeks. But SF Weekly has decided against the usual critics' list and offers instead "MyTunes"—lists of the year's best according to Bay Area luminaries. Among those weighing in: Kronos Quartet's David Harrington.

The National Academy of Recording Arts and Sciences has just announced the nominees for the 50th Annual Grammy Awards, including Nonesuch releases from Wilco, Ry Cooder, Joshua Redman, Stephen Sondheim, and Lorraine Hunt Lieberson. Judith Sherman is up for Classical Producer of the Year, including for Kronos Quartet's recording of Górecki's String Quartet No. 3.

Toronto's new Luminato Festival, which earlier this year, in its inaugural run, presented the world premiere of Philip Glass's Book of Longing, has unveiled its 2008 program, and the Globe and Mail calls it "an ambitious agenda of dance, music, theatre, film, and visual arts." On the bill for the June 6–15 event are the Canadian premieres of Nunavut by Kronos Quartet and Inuit throat singer Tanya Tagaq, and Laurie Anderson's Homeland. 

In a set of performances at Boston's Schubert Theatre last week, the Paul Taylor Dance Company delivered a "sharp, vibrant program," according to the Boston Globe, of two Taylor classics and two pieces receiving their Boston premieres, including Lines of Loss, set to Kronos Quartet's recording of Early Music (Lachryma Antiqua). Writes Thea Singer in her Globe review of the event, Lines of Loss could be seen as the 77-year-old choreographer's reflection on the passage of time, and so the music, fittingly, "weaves through the movement like a scratchy memory." With such a stirring piece, for Singer, the dance's "ending comes almost too soon."

The 2008 Tanglewood season has been announced, and Kronos Quartet is among the Guest Artists taking the stage at the Lenox, Massachusetts, summer home of the Boston Symphony Orchestra. Kronos' Thursday, August 14, program will include John Zorn's Dead Man, Flugufrelsarinn by Sigur Rós, and Steve Reich's Triple Quartet, which the composer wrote for the Quartet in 1998. Tickets go on sale to the public February 17. 

Ballet Theatre Afrikan begins its latest Hooked on Classics series tonight with choreographer Christopher Kindo's Sollopa, featuring the music of Giya Kancheli's Night Prayers by Kronos Quartet, at the University of Johannesburg Arts Centre. According to joburg.org.za, the official site of the city of Johannesburg, Sollopa uses the "mesmerising music" of Night Prayers to tell a tale of magic and passion in a mythical kingdom, through both classical and contemporary dance movement. Ballet Theatre Afrikan premiered the piece in 2004. 

Best known for his contribution to the soundtrack for the 2003 Italian Job remake starring Mark Wahlberg, Brazilian-born DJ Amon Tobin talks to The Moscow Times about a surprising array of influences, from Ennio Morricone to Grandmaster Flash, and about his latest record, Foley Room, on which he looked to Kronos Quartet to record new tracks he could sample. Moscow readers can listen for the Kronos samples at Tobin's show tonight at Ikra. 

On October 25 and 26, Glenn Kotche and Kronos Quartet premiered Glenn's new piece for quartet and percussion, Anomaly, at the San Francisco Jazz Festival. Last month, we brought you the notes Glenn wrote for the program, in which he describes the very personal inspiration for the new work. Here, in a note he's written exclusively for the Nonesuch Journal, Glenn shares some insights into the process of composing, rehearsing, and performing a brand new piece during what was already a year of non-stop touring for Wilco, and for Kronos as well.

This Saturday, November 10, Kronos Quartet will perform all three of Górecki's string quartets in the course of one evening in Górecki's hometown of Katowice, Poland, with the composer in attendance. The event is part of the 16th Annual Upper Silesian Art Festival. All three of Górecki's string quartets—Already It Is Dusk (Quartet No. 1), Quasi una Fantasia (Quartet No. 2), and Piesni Spiewaja ("...songs are sung") (Quartet No. 3)—were written especially for Kronos. The three quartets have never been performed like this before.

As we reported last week, the phenomenal collaboration between Tom Waits and Kronos Quartet at this year's Bridge School Benefit concerts proved to be the highlight of the weekend's events. Now you can catch a glimpse of the spectacular set on this video released by The Bridge School. In this clip, Waits and Kronos perform the song "God's Away on Business," which they last played together at a benefit concert in 2003.

InisdeBayArea.com examines the many ways in which Kronos Quartet has gone well beyond the confines of the traditional string quartet. "We haven't called ourselves a string quartet, I think, in the last 34 years," Kronos violinist David Harrington says. "I remember as a kid looking at the map—and at that point I had only played Haydn, Mozart, and Beethoven—and thinking, 'God, what does the rest of the world sound like? I'm going to find out.'"

On October 20, at the seventh annual World Soundtrack Awards in Ghent, Belgium, composer Clint Mansell picked up two awards for his score to The Fountain, performed by Kronos Quartet and Mogwai. Mansell received both the award for the year's Best Original Soundtrack and the Public Choice Award.